I use the word ‘kewl’ a lot, both in on-line chat and in-person conversations. In both cases I usually double it into ‘kewl kewl’. It is a response to indicate that I was actually listening to what you had to say, and a general comment of understanding and agreement. The spelling is specific and deliberate. Something in me hates with a passion the word ‘cool’. I don’t know exactly why, something to do with it being a word of the older generation, or maybe in my messed up brain I associate ‘cool’ with Americana and all the things I dis-like about the USA. So when I first stumbled across the ‘kewl’ spelling (back in 1994, give me some street creed here), I was drawn to it, and it has since stuck. I make no excuses or apologies. While it maybe crass and seem uneducated, just maybe I’m choosing from a position of informed determination. I’ve also noticed recently that I use the word ‘mate’ when chatting on-line, but never use it in in-person conversations. No idea what that means. I also use ‘lol’ on-line a lot, but never in-person. Here it is obvious, in-person someone can actually see if your laughing. On-line, I think ‘lol’ is more immediate and genuine than typing back ‘i find that very funny’.
Tag: writing
A test of punctuation
Using the SmartyPants system for better punctuation.
Using the SmartyPants system for better punctuation: - ‘single quotes’ should be curly, not straight. - “double quotes” should be curly, not straight. - en — and em —- dashes should be the right length. - the … ellipses should be a single character, not just three full stops.
Old bloginess
Reading though some of my old blog entries and it seems I had a lot more to say about nothing particular at all than I do now. I’m sure that means something… probably that I’m just not thinking enough in creative ways lately. I need to do something about that. Time to get myself into the habit of posting on here, posting anything, posting everything, just posting.
Harry
Harry will always have the same problem, though he never will see it. With great dreams and no drive nothing will come of nothing. Harry desires many things, but none enough to get any. Harry is a fountain. Harry is a mop. Harry will always be a Harry, from the top to the very very top. Harry is a small man, who thinks he looks good in a big mans clothes. Harry never did exist, nor ever want to. Harry will always have the same problem, though he never will see it. Being a figmant, an image, a desire. Being a phanton, a shadow, a hunger. Better that than nothing at all. Harry will never love, never leave, never want. Harry is a random thought, an itch, a disaster. Harry will always have the same problem, though he never will see it. From the end to the very very end. From the middle it gets eaten. Up and down and around and around. Spinning still. Music drives everything. Harry will always have the same problem, though he never will see it. Harry is not nothing.
Writing challenge #2
Due to the booming success of the previous challenge, I thought I’d start annother one.
Limits
- Must included the line: “The house wasn’t old enough to be scary.”
- No more than 1 hour!
- Short but well written is better than long but poorly written.
Go.
(PS: posting your work in the comments, or trackbacking to it to your blog would be really nice)
How to be a top selling author!
No idea. More to the point, I’m don’t think I’d want to be a top selling author. The quality of writing is rearly proportional to the comercial sucess. However from time to time I do write (and I like to think that some of it isn’t crap). But what to write? When? First an idea is needed. I have some tools and techniques that I use to create the spark, nothing all that interesting, but usually works when I’m stuck for an idea. Once I have an idea I look at all the possible stories I could tell with that and I start down the path that seems both interesting and challanging to me. But given the same spark another writer would never write the same thing. So with that in mind here is the brief: Write a short (very short) story (or whatever, peom, program code, pray) within these limitations, 250 words maximum, must include the word “cubic”, must have 2 character (no more, no less), and if you spend more than an hour on it you’ve taken too long.
The art of writing is NOT just about words…
Given my previous tirades on the subject of grammar, it is perhaps not surprising that I also have a obsession with punctuation. So an article like this can hardly be left alone. Short and Curlies Anyway, wot he said.
The naming of a hero
Justyne Alsandair Udelson
A New Hero
A little time back I asked for suggestions from my readers for the name of a character. I got few replies. For simplicitys sake I’ll recap, the suggestions were: Angelica. Pierre. Justine. Bob. I actually like all of these names… for very different reasons, and they are names I wouldn’t have chosen myself which is another reason I should use them. Even though I originally specified that the character in question would be male, I’ve been given to female names… but what the hell, why can’t a guy have a girls name??? I think I’ll go with Justine… and use the other names for supporting characters (which have a nasty habit of becoming more important than the ‘star’). The next question is, should I delude myself with the idea that I might one day publish a novel from this story… or should I put in on this ‘blog?
Personal Pronouns : Part Four - Miscellaneous, Conclusion and References
There is an unusual pronoun that I have so far avoided mentioning, one.
| Subject | Object | Possessive Adjective | Possessive Pronoun | Reflexive | Number | Gender |
|---|---|---|---|---|---|---|
| one | one | one’s | one’s | oneself | variable | neutral |
One is odd because it acts for a pronoun much like a pronoun acts for a noun, but which pronoun it is standing in for is not always clear. What can one say to that? Depending on the context one could be replacing I or you or even both of us. Yet it isn’t as ego-centered as I, nor as direct as you. So although it has a stuffy, old fashioned feel to it, its indeterminacy makes it ideal in certain situations. Conclusion Well, I think that covers everything, and if you actually read the whole article (well, someone might), your probably asking “that was interesting, but what am I supposed to do about it?” The answer is, whatever the hell you want. This, after all, your language, for you to use, and even abuse, as you alone see fit. Always keep in mind that the goal is to communicate, so you should be striving to make your message as easy to understand as possible. Above all else, the way you use the language should be based on informed decision, not ignorance, and hopefully with a bit of background knowledge you’ll be more informed than ever before. Or to put it more simply: You can break the rules only if you know what they are.
| Subject | Object | Possessive Adjective | Possessive Pronoun | Reflexive | Number | Gender |
|---|---|---|---|---|---|---|
| FIRST PERSON | ||||||
| I | me | my | mine | myself | singular | neutral |
| we | us | our | ours | ourselves | plural | neutral |
| SECOND PERSON | ||||||
| you | you | your | yours | yourself | singular | neutral |
| you | you | your | yours | yourself | plural | neutral |
| thou | thee | thy | thine | thyself | singular | neutral |
| ye | you | your | yours | yourself | plural | neutral |
| THIRD PERSON | ||||||
| he | him | his | his | himself | singular | masculine |
| she | her | her | hers | herself | singular | feminine |
| it | it | its | its | itself | singular | neuter |
| they | them | their | theirs | themselves | plural | neutral |
| he/she | him/her | his/her | his/hers | himself/herself | singular | neutral |
| ey | em | eir | eirs | eirself | singular | neutral |
| INDEFIINITE PRONOUN | ||||||
| one | one | one’s | one’s | oneself | variable | neutral |
References These are the sources which help me put everything together… I should point out that in some cases “help” means “I copied verbatim”, by why bother rewriting something that already expresses what you want to say. Peters, P The Cambridge Australian English Style Guide (Cambridge University Press 1995) available from amazon.com Gender-neutral Pronoun FAQ Macquarie Dictionary 2nd ed. (Macquarie Library 1991) Common Errors in English English Grammar Usage and Style at Yahoo.com Also see: Part Zero - The problem with the English language is you! Part One - First person pronouns Part Two - Second person pronouns Part Three - Third person pronouns