Kewl, lol & mate?

I use the word ‘kewl’ a lot, both in on-line chat and in-per­son con­ver­sa­tions. In both cas­es I usu­al­ly dou­ble it into ‘kewl kewl’. It is a response to indi­cate that I was actu­al­ly lis­ten­ing to what you had to say, and a gen­er­al com­ment of under­stand­ing and agree­ment.
The spelling is spe­cif­ic and delib­er­ate. Some­thing in me hates with a pas­sion the word ‘cool’. I don’t know exact­ly why, some­thing to do with it being a word of the old­er gen­er­a­tion, or maybe in my messed up brain I asso­ciate ‘cool’ with Amer­i­cana and all the things I dis-like about the USA. So when I first stum­bled across the ‘kewl’ spelling (back in 1994, give me some street creed here), I was drawn to it, and it has since stuck. I make no excus­es or apolo­gies. While it maybe crass and seem une­d­u­cat­ed, just maybe I’m choos­ing from a posi­tion of informed deter­mi­na­tion.
I’ve also noticed recent­ly that I use the word ‘mate’ when chat­ting on-line, but nev­er use it in in-per­son con­ver­sa­tions. No idea what that means.
I also use ‘lol’ on-line a lot, but nev­er in-per­son. Here it is obvi­ous, in-per­son some­one can actu­al­ly see if your laugh­ing. On-line, I think ‘lol’ is more imme­di­ate and gen­uine than typ­ing back ‘i find that very fun­ny’.

A test of punctuation

Using the Smar­ty­Pants sys­tem for bet­ter punc­tu­a­tion.

Using the Smar­ty­Pants sys­tem for bet­ter punc­tu­a­tion:
— ‘sin­gle quotes’ should be curly, not straight.
— “dou­ble quotes” should be curly, not straight.
— en — and em — dash­es should be the right length.
— the … ellipses should be a sin­gle char­ac­ter, not just three full stops.

Old bloginess

Read­ing though some of my old blog entries and it seems I had a lot more to say about noth­ing par­tic­u­lar at all than I do now. I’m sure that means some­thing… prob­a­bly that I’m just not think­ing enough in cre­ative ways late­ly. I need to do some­thing about that.
Time to get myself into the habit of post­ing on here, post­ing any­thing, post­ing every­thing, just post­ing.

Harry

Har­ry will always have the same prob­lem, though he nev­er will see it. With great dreams and no dri­ve noth­ing will come of noth­ing. Har­ry desires many things, but none enough to get any. Har­ry is a foun­tain. Har­ry is a mop. Har­ry will always be a Har­ry, from the top to the very very top. Har­ry is a small man, who thinks he looks good in a big mans clothes. Har­ry nev­er did exist, nor ever want to.
Har­ry will always have the same prob­lem, though he nev­er will see it. Being a fig­mant, an image, a desire. Being a phan­ton, a shad­ow, a hunger. Bet­ter that than noth­ing at all. Har­ry will nev­er love, nev­er leave, nev­er want. Har­ry is a ran­dom thought, an itch, a dis­as­ter.
Har­ry will always have the same prob­lem, though he nev­er will see it. From the end to the very very end. From the mid­dle it gets eat­en. Up and down and around and around. Spin­ning still. Music dri­ves every­thing.
Har­ry will always have the same prob­lem, though he nev­er will see it. Har­ry is not noth­ing.

Writing challenge #2

Due to the boom­ing suc­cess of the pre­vi­ous chal­lenge, I thought I’d start annother one.

Lim­its

  • Must includ­ed the line: “The house was­n’t old enough to be scary.”
  • No more than 1 hour!
  • Short but well writ­ten is bet­ter than long but poor­ly writ­ten.

Go.

(PS: post­ing your work in the com­ments, or track­back­ing to it to your blog would be real­ly nice)

How to be a top selling author!

No idea.
More to the point, I’m don’t think I’d want to be a top sell­ing author. The qual­i­ty of writ­ing is rear­ly pro­por­tion­al to the com­er­cial sucess.
How­ev­er from time to time I do write (and I like to think that some of it isn’t crap). But what to write? When? First an idea is need­ed.
I have some tools and tech­niques that I use to cre­ate the spark, noth­ing all that inter­est­ing, but usu­al­ly works when I’m stuck for an idea.
Once I have an idea I look at all the pos­si­ble sto­ries I could tell with that and I start down the path that seems both inter­est­ing and chal­lang­ing to me. But giv­en the same spark anoth­er writer would nev­er write the same thing.
So with that in mind here is the brief:
Write a short (very short) sto­ry (or what­ev­er, peom, pro­gram code, pray) with­in these lim­i­ta­tions, 250 words max­i­mum, must include the word “cubic”, must have 2 char­ac­ter (no more, no less), and if you spend more than an hour on it you’ve tak­en too long.

A New Hero

A lit­tle time back I asked for sug­ges­tions from my read­ers for the name of a char­ac­ter. I got few replies.
For sim­plic­i­tys sake I’ll recap, the sug­ges­tions were:
Angel­i­ca. Pierre. Jus­tine. Bob.
I actu­al­ly like all of these names… for very dif­fer­ent rea­sons, and they are names I would­n’t have cho­sen myself which is anoth­er rea­son I should use them. Even though I orig­i­nal­ly spec­i­fied that the char­ac­ter in ques­tion would be male, I’ve been giv­en to female names… but what the hell, why can’t a guy have a girls name???
I think I’ll go with Jus­tine… and use the oth­er names for sup­port­ing char­ac­ters (which have a nasty habit of becom­ing more impor­tant than the ‘star’).
The next ques­tion is, should I delude myself with the idea that I might one day pub­lish a nov­el from this sto­ry… or should I put in on this ‘blog?

Personal Pronouns : Part Four — Miscellaneous, Conclusion and References

There is an unusu­al pro­noun that I have so far avoid­ed men­tion­ing, one.

Declen­sion of One
Sub­ject Object Pos­ses­sive Adjec­tive Pos­ses­sive Pro­noun Reflex­ive Num­ber Gen­der
one one one’s one’s one­self vari­able neu­tral

One is odd because it acts for a pro­noun much like a pro­noun acts for a noun, but which pro­noun it is stand­ing in for is not always clear.
What can one say to that?
Depend­ing on the con­text one could be replac­ing I or you or even both of us. Yet it isn’t as ego-cen­tered as I, nor as direct as you. So although it has a stuffy, old fash­ioned feel to it, its inde­ter­mi­na­cy makes it ide­al in cer­tain sit­u­a­tions.
Con­clu­sion
Well, I think that cov­ers every­thing, and if you actu­al­ly read the whole arti­cle (well, some­one might), your prob­a­bly ask­ing “that was inter­est­ing, but what am I sup­posed to do about it?”
The answer is, what­ev­er the hell you want. This, after all, your lan­guage, for you to use, and even abuse, as you alone see fit. Always keep in mind that the goal is to com­mu­ni­cate, so you should be striv­ing to make your mes­sage as easy to under­stand as pos­si­ble. Above all else, the way you use the lan­guage should be based on informed deci­sion, not igno­rance, and hope­ful­ly with a bit of back­ground knowl­edge you’ll be more informed than ever before.
Or to put it more sim­ply: You can break the rules only if you know what they are.

Declen­sion of Var­i­ous Per­son­al Pro­nouns
Sub­ject Object Pos­ses­sive Adjec­tive Pos­ses­sive Pro­noun Reflex­ive Num­ber Gen­der
FIRST PERSON
I me my mine myself sin­gu­lar neu­tral
we us our ours our­selves plur­al neu­tral
SECOND PERSON
you you your yours your­self sin­gu­lar neu­tral
you you your yours your­self plur­al neu­tral
thou thee thy thine thy­self sin­gu­lar neu­tral
ye you your yours your­self plur­al neu­tral
THIRD PERSON
he him his his him­self sin­gu­lar mas­cu­line
she her her hers her­self sin­gu­lar fem­i­nine
it it its its itself sin­gu­lar neuter
they them their theirs them­selves plur­al neu­tral
he/she him/her his/her his/hers himself/herself sin­gu­lar neu­tral
ey em eir eirs eir­self sin­gu­lar neu­tral
INDEFIINITE PRONOUN
one one one’s one’s one­self vari­able neu­tral

Ref­er­ences
These are the sources which help me put every­thing togeth­er… I should point out that in some cas­es “help” means “I copied ver­ba­tim”, by why both­er rewrit­ing some­thing that already express­es what you want to say.
Peters, P The Cam­bridge Aus­tralian Eng­lish Style Guide (Cam­bridge Uni­ver­si­ty Press 1995)
avail­able from amazon.com
Gen­der-neu­tral Pro­noun FAQ
Mac­quar­ie Dic­tio­nary 2nd ed. (Mac­quar­ie Library 1991)
Com­mon Errors in Eng­lish
Eng­lish Gram­mar Usage and Style at Yahoo.com
Also see:
Part Zero — The prob­lem with the Eng­lish lan­guage is you!
Part One — First per­son pro­nouns
Part Two — Sec­ond per­son pro­nouns
Part Three — Third per­son pro­nouns